The Ways of the World

European Representations of Other Cultures: From Homer to Sade

Peter Mason

Before the emergence of anthropology around the middle of the nineteenth century, there was no ethnography as such. But the discipline owes its formation to certain strands that go back into the remoter past of the ancient world, as far back as Homeric epic, and range over such themes as the Greek views of non-Greeks and indeed of the boundaries of what it is to be human.

These classical structural polarities have provided an enduring interpretative framework for configuring the 'other' in very different societies and places. Reaching across a remarkable time span, Mason's approach does not attempt a unified narrative, but uses case studies from the ancient world, the early modern era and the Enlightenment, many of them related to the difficulties of comprehending the cultures of the New World, to pinpoint startling continuities and changes. In this way, Mason reveals 'embedded ethnographies' in the works of a diverse set of writers, from giants of their age such as Sextus Empiricus, Columbus, Montaigne, the Marquis de Sade and Goethe, to little-known authors of the sixteenth century such as Jan Huygen van Linschoten (tales of sex and drugs in Goa) and Adriaen Coenen (encountering Eskimos in The Hague). Drawing his conclusions from a wealth of sources, the author deftly moves from travellers' accounts, encyclopaedias, cosmographies and natural history compilations, to literary works of fiction, translating them from seven languages. Many are presented here to English readers for the first time. Whether non- European peoples are demonized or idealized, the author asks, can any trace of a native voice still be found in these European texts?

'An outstanding work by a scholar with an eye for extraordinary case studies and unexpected cultural connections, which contribute to opening up new paths of research and reinvigorate the field.'

Francisco Bethencourt Charles Boxer Professor of History, King's College London

'The Ways of the World is an elegant, lucid, exemplary piece of intellectual history by an author who is as much at home in philosophy and literary criticism as he is in anthropology and history.'

Peter Burke Emeritus Professor of Cultural History, Emmanuel College, University of Cambridge

Anne E. Allen is Professor of Fine Arts at Indiana University, Southeast. Her research considers the spatial dynamics of Samoan vernacular architecture. She is currently the editor of Pacific Arts: The Journal of the Pacific Art Association.

Deborah B. Waite is Professor of Pacific Art History in the Department of Art and Art History, University of Hawai i. Her research speciality involves art from the Solomon Islands.

Colour Hardback, ISBN 978-1-907774-23-2, £95.00 (GBP), $155.00 (USD)

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Westermarck

Edited by David Shankland

Occasional Paper No. 44 of the Royal Anthropological Institute. Published in association with the Anglo-Finnish Society.

Westermarck was a remarkable man, but one who has received little credit for the significant part he played in the creation of modern anthropology. He spanned two worlds: the comparative anthropological endeavours of the nineteenth century, and the establishment of social anthropology at the LSE, in which he played a major role. One of Malinowski's principal teachers, he was himself an outstanding fieldworker. His work on Morocco has, even today, hardly been surpassed. Yet, his theories on the nature of human marriage and the origins of the incest taboo place him firmly in the earlier, generalist camp, and the controversies to which they have given rise have hardly settled down to this day. In this volume, Westermarck's place in anthropology is discussed, along with detailed descriptions of his very active academic life in Finland and in Britain, whilst other chapters consider his equally pioneering writings in morals and ethics. Westermarck's own writings are featured by way of illustration of his ideas, including his LSE inaugural lecture, his Huxley lecture, and a hitherto unpublished paper on ritual and survivals. This volume shows, indeed, that Westermarck is a 'missing link' in today's history of anthropology, and our understanding of that history will be profoundly changed by a better appreciation of his role within it.

The Things We Value

Culture and History in Solomon Islands

Edited by Ben Burt and Lissant Bolton

The Things We Value takes as its subject the creativity and cultural heritage of Solomon Islands, focusing on the kinds of objects produced and valued by local communities across this diverse country in the south-west Pacific. Combining historical and interpretive analyses with personal memories and extensive illustrations, the contributors examine such distinctive forms as red feather-money, shell valuables, body ornaments, war canoes, ancestral stones and wood carvings. Their essays discuss the materials, designs, manufacture, properties and meanings of artefacts from across the country. Solomon Islanders value these things variously as currency, heirlooms and commodities, for their beauty, power and sanctity, and as bearers of the historical identities and relationships which sustain them in a rapidly changing world. The volume brings together indigenous experts and leading international scholars as authors of the most geographically comprehensive anthology of Solomon Islands ethnography yet published. It engages with historical and contemporary issues from a range of perspectives, anthropological and archaeological, communal and personal, and makes a major new contribution to Pacific Islands studies.

'Since Malinowski, anthropologists have known that valued objects of various kinds are of vital significance in Melanesian societies. Ranging over exchange-valuables, customary 'money', woven and carved objects to contemporary art, this book draws together cases past and present from across the Solomon Islands in a sophisticated and illuminating way.'

Nicholas Thomas, University of Cambridge

Keeping the Faith

Syriac Christian Diasporas

Heidi Armbruster

Indigenous Christian communities in Turkey and the Middle East have declined dramatically in recent years, with large numbers emigrating in the face of violence, war and conflict. Keeping the Faith explores the impact of historical persecution and massmigration on the Suryoye, Syriac Orthodox Christians, from Turkey. Victims of genocide in 1915-16, subjugated by state nationalism in the Turkish Republic, part of the Turkish exodus of guest workers to Europe post 1960 and hemmed in by the Turkish-Kurdish conflict in the last decades of the twentieth century, they dispersed globally from eastern Anatolia. Only a few now remain in Turkey.

This book argues that these experiences migrated with those who re-settled abroad and became incorporated into their life story. Heidi Armbruster's ethnographic fieldwork both in rural villages and a monastery in their Anatolian homeland, and with migrants and their families in Berlin and Vienna, allows her to investigate a number of contexts in which Syriac Christians create identities for themselves, contested through the potent symbolic resources of the Aramaic language, Christian religion, and Assyrian and Aramean ethnicity.

Suryoye personal relationships to a collective history are not accessed through historians' accounts or institutional narratives, but through the intimate social worlds the author sensitively observes, in which experience and memories are formed, and in which individuals articulate their stake in a larger and more collective story. This discourse centres on 'community endangerment' and lies at the heart of negotiations of identity, family and group membership that are key to the spatial and historical processes of migration and diaspora. This account delineates with wonderful clarity how 'keeping the faith', has both imperilled and formed the foundations of continuity and community, for this fascinating group.

The Line of Dust

Bororo Culture between Tradition, Mutation and Self-representation

Massimo Canevacci

In this volume Massimo Canevacci draws on ethnographic fieldwork carried out together with Bororo of the Mato Grosso (Brazil), in particular Kleber Meritororeu, to examine the tensions, conflicts and exchanges between transformation and tradition. The practical as well as political keyword in his approach is self-representation. From this follows the incorporation of Bororo subjectivities into the text, and the focus on the emotional, philosophical and sacred aspects of their famous funeral ritual, in which their status as both performers and the interpreters is emphasized by their use of the digital camera.

The book takes its name from the line of dust laid down by a mestre dos cantos (master of chants), José Carlos Kuguri, between the anthropologist and himself: both a representation of an immaterial boundary, and a syncretic challenge to understand the transfiguration from a dead individual corpse to a living ancestral skull, an arara. Canevacci's answer is an assemblage of different narratives, in which an 'astonished' methodology of sensorial concepts, emotional photos and innovative logics traverses the entire Bororo funeral. He finds there is no dualism to life and death for the Bororo, but rather a porous, continuous transit and mixing of body and corpse, of humans and animals, of plants and deities; and that their sacred cosmology is time and again created and recreated via their wailing songs and circular dances, skin scarifications and bone painting. Their rituals are no mere repetition of tradition. They are also an attempt to respond to the changes inside and outside their aldeia (village), and to reenact their shifting cultures, subjectivities and identities.

Hearing and the Hospital

Sound, Listening, Knowledge and Experience

Tom Rice

An original ethnography of sound and listening in one of our major institutions, Hearing and the Hospital reveals the hospital to be a space in which several modes of listening are simultaneously in play and in which different layers of auditory knowledge and experience coexist. Engaging with Sound Studies, the Anthropology of the Senses, Medical Anthropology and Science and Technology Studies in this volume, Tom Rice shows how sound and listening produce, articulate and mediate social relations inside the hospital, how listening acquires direction and focus within that environment, and how certain sounds become endowed with particular meanings and associations. He also exposes many of the sensory minutiae that both underpin and undermine the production of medical knowledge and skill. Hearing and the Hospital creates an acoustic interrogation of hospital life, and in doing so questions accepted ideas about the sense of hearing itself.

'There's a great deal to admire in Tom Rice's ethnography of the aural politics of the hospital. First because it represents a unique conjunction of the ethnography of sound and senses with medical anthropology and social studies of science. Next because it patiently details how sound as a way of knowing so deeply informs social practices of medical listening. And finally because it is so successful in revealing both how hospitals and bodies pulse as acoustic spaces, and how patients and doctors professionalize, personalize, and participate as situated listeners.'

Steven Feld, Distinguished Professor of Anthropology and Music, University of New Mexico

The Anthropology of Persianate Societies Vol. 2

Les Lions en Pierre Sculptée chez les Bakhtiari

Description et significations de sculptures zoomorphes dans une société tribale du sud-ouest de l'Iran

Pedram Khosronejad

This impressive work of scholarship brings together anthropology, religion, popular culture, and history in its focus on Bakhtiari lion tombstones that have remained largely unknown and hence little studied. Although lions have long figured in Iranian history, art and myth as symbols of rulership, power, religious leadership or as steadfast guardians, art historians have tended to concentrate their attentions on court traditions and the role of lions in popular culture, especially in religion, has remained little considered until this book.

Funerary stone lions are to be found throughout western Iran, but are concentrated in the summer and winter pasture areas of the Bakhtiari, today's provinces of Chahar Mahal and Bakhtiari, west of Isfahan, and Khuzistan.

This highly illustrated colour volume draws on meticulous fieldwork and includes over three hundred photographs, drawings, charts and maps. The recording of this rare sculptural heritage, dating from the 16th century to the early 20th century, has become ever more pressing as some tombstones have been taken from their original settings and re-erected in parks, others damaged by the elements and some recently broken up to be used in road repairs.

'Pedram Khosronejad's Les Lions en Pierre Sculptée chez les Bakhtiari is to be greatly welcomed... [It is ]based on extensive fieldwork and represents something of a rescue project....This volume, however, goes further in raising three inter-related issues: why have these important artifacts been neglected even by specialists; how do they relate to a richer understanding of Iranian art and culture; and how does vernacular art relate to the accepted traditions of Iranian art?.... This volume will prove to be important in bringing the lion tombstones to a larger public attention.'

G. R. Garthwaite, Dartmouth College, Hanover, NH, Jane and Raphael Bernstein Professor in Asian Studies,Emeritus & Professor of History, Emeritus

The Making of Asmat Art

Indigenous Art in a World Perspective

Nick Stanley

Why has Asmat art, from a remote and small south-coast West Papuan society, had such a significant and prolonged impact on the world stage? This book explores the way major collections were made and examines the motivations of the collectors, their relationships with those from whom they purchased and the circumstances of the exchange. It also considers the involvement of artists and film-makers, anthropologists, representatives of the civil authorities and missionaries. Asmat artists have maintained their unique appeal through constant stylistic innovation and by engagement with new publics, both locally and internationally, as exemplified by the recent displays of women's weaving alongside the men's carved wooden shields, drums and figures. Despite accelerating social changes, Asmat art continues to thrive as a compelling and transformative Melanesian presence in the global art world.

'Awe-inspiring works of Asmat art loom large in the Metropolitan Museum of Art in New York and in dozens of other great museums around the world. Nick Stanley's engagingly written study provides the best history to date of the making of Asmat art traditions and of their avid acquisition by successive European and north American collectors. Most importantly, the book foregrounds the creativity and imagination of Asmat artists themselves. This is a book that will be welcomed by everyone interested in the arts of the Pacific.'

Nicholas Thomas, University of Cambridge

How Democracy Works

An Ethnographic Theory Of Politics

Marcio Goldman

In this book, Marcio Goldman provides an interpretation of a 'big' theme - the functioning of a modern political system - based on the ethnographic analysis of a 'small' one - the political involvement of a group of African-Brazilian people living in the town of Ilheus in the north-east of Brazil, and belonging to Afro-Brazilian religions, black movement factions, families and neighbourhoods. By giving a description 'from the native's point of view' he leads us to a truly anthropological perception of modern democracies, showing how we need to take seriously the actions and the reflections of those generally viewed as passive, manipulated, ignorant and not really interested in the political game. Only this can lead us to an 'ethnographic theory of politics'.

'A ground-breaking work of real importance - not only to the anthropology of politics, but to the continuing development of theory and epistemology in anthropology and the social sciences at large.'

'Goldman has masterfully analysed the terrain of politics in this town, illuminating not only its local specifics.... but what he calls the 'constitutive ambiguities' of democracy in Brazil - and indeed of democracy as a whole. In the process he robustly challenges various accepted wisdoms about poor people's political choices, gives new life to classic anthropological ideas like 'segmentation', and strips away the veil that, for many of us, obscures 'how democracy works'. He achieves this ambitious task with consummate skill, combining fine-grained detail with bold theoretical insight.'

Deborah James, London School of Economics

'If the intellectual contemplation of collectively instituted irrationality is what got anthropology going in the first place, then it must, at some point, address such entities as politicians, and why people vote for them. Read this book and learn.'

Peter Gow, University of St Andrews

We Don't Do Dots

Aboriginal Art and Culture in Wilcannia, New South Wales

Lorraine Gibson

What does it mean when whites say that certain Australian Aboriginal people have 'no culture' but accept that they have art? Why are notions and images of Aboriginal art and culture still dominated by those from the centre and north of the Australian continent, even though most Aborigines reside in the south-east? This book explores these questions, why they matter, and to whom they matter.

It draws on extensive fieldwork with Barkindji Aboriginal people in the small country town of Wilcannia, New South Wales. The richly textured ethnographic analysis examines how notions of Aboriginal art and Aboriginal culture are wielded as weapons of power in everyday racism in Australia. In so doing, it demonstrates how Aboriginal people deploy ideas of art, artists and culture to assert individual and group identity, and to subvert dominant culture ideas and ideals which operate as tools of oppression, distancing and harm.

'At the heart of Gibson's fascinating study is a conundrum: Wilcannia Aboriginal art is flourishing although Aboriginal culture is said to be nonexistent. She has produced an engaging and challenging account of social life as well as a serious analysis of deeply fraught relationships among the townspeople. The numerous photographs and paintings make this a rich and exciting publication.'

Gillian Cowlishaw, The University of Sydney

Iranian Sacred Defence Cinema

Religion, Martyrdom and National Identity

Edited by Pedram Khosronejad

While the cinema of post-revolutionary Iran is internationally acknowledged, the world outside Iran has been ignorant of the Iranian war films that are the subject of this pioneering book. Over 200 Iranian feature films concentrating primarily on fighting and military operations have appeared since the 1980s and the beginning of the war between Iran and Iraq. This book presents a detailed exploration of the 'Sacred Defence cinema' established by Seyed Morteza Avini, a cinema that directly connects this war to the faith and religious belief of volunteer guardians of the revolution. These films remain the primary vehicles of the Islamic state in Iran for the preservation and memorization of the theme of martyrdom. As the distinguished film scholar, Hamid Dabashi writes in his Foreword to the book: 'If national cinemas are predicated on national traumas, in the volume that Pedram Khosronejad has put together we are at the heart of Iranian cinema.'

The eight-year Iran-Iraq war near the end of the 20th century renewed the horrors of the First World War near the start of the century - causing millions of casualties and untold devastation on both sides. It also resulted in a vigorous and dynamic cinematic output in Iran, producing some of the most ardent Islamist political movies, Shii-inflected spiritual films, and original theorization of what constitutes an ' Islamic cinema' . Khosronejad has managed to amass an astute and fascinating anthology - the first in English - that brings together an international roster of scholars to deal with the complexities and varieties of war fiction films, documentaries, television series and auteur directors.

Prof. Hamid Naficy, Northwestern University

The Anthropology of Persianate Societies Vol. 1

Saints and their Pilgrims in Iran and Neighbouring Countries

Edited by Pedram Khosronejad

The importance and ramifications of saints, sainthood and pilgrimage in contemporary Iran and neighbouring countries are great, yet the academic conceptualizations of them and their entailments are sorely lacking. This book places the saints and their pilgrims in sharper focus, and offers important correctives to all-too-common

n misunderstandings, the foremost of which is the erroneous portrayal of Islam as primarily a body of legal doctrine and corresponding practice, and the associated principle that we can 'know' Islam if we 'know' Islamic law.

In an effort to challenge such a limited, and limiting, perspective, this volume suggests that both anthropology, insofar as it can focus on experience and practice, and history, insofar as it can encompass more than an institutional/political 'names and dates' discourse, can reveal something of the dynamism of the faith, as more than the sum of its laws. The approaches demonstrated in this book on Shiite Pilgrimage offer windows into the beliefs and lives of 'ordinary' people, past and present, and thereby bring forth agendas akin to those of 'subaltern studies'. Finally, the memorializing documented in these chapters provides evidence, past and present, of widespread desires for a more concrete, even immanent, relationship that is direct, unmediated and, at least partly, involves forms of intercession - even though such desires for immanence in the Islamic world have previously been considered as limited to devotees of the Sufi saints or the Shi'i Imams or their progeny.

Notes on the Cognitive Texture of an Oral Mind

Kitawa, a Melanesian Culture

Giancarlo M. G. Scoditti, with a foreword by Pierre Maranda

This book marks the culmination of Giancarlo M.G. Scoditti's renowned series of publications on the cultural production of the northern Massim island of Kitawa, Papua New Guinea. It explores how the Nowau 'creators of images' conceive of the way their artistic compositions come about - sketching Kitawan cognitive philosophy and aesthetic practice. Describing how for them images grow like the loops of the Nautilus shell - one of nature's prominant demonstrations of the logarithmic spiral and the golden section - Scoditti's analysis of Kitawan cognitive and artistic principles resonates with Lévi-Strauss's work on myth and Kant's notion of the mental schema, and makes a ground-breaking contribution to our understanding of the 'oral mind'.

CONTENTS:
Foreword by Pierre Maranda; Preface; Acknowledgements; Introduction; Part I: 1 - The thinkers and makers of oral aesthetics; 2 - The composer of visual texts; 3 - The interpreter of visual texts; Part II: 4 - The mental faculties and the definition of oral image; 5 - Image, graphic sign and figure; 6 - Forms of memorization and conservation; Part III: 7 - The oral mind; 8 - The thinking and making of oral images; 9 - Mind, reason, and the unwritten cognitive philosophy; 10 - The poetic formulas and the reason; 11 - Crowns and corollas as visual metaphors of the mental faculties; Conclusion; References; Index.

Hardback, ISBN 978-1-907774-02-7, 340 pp., 108 plates - £50.00 (GBP), $80.00 (USD)

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Every Day's a Festival!

Diversity on Show

Edited by Susanne Küchler, László Kürti and Hisham Elkadi

Despite their ubiquity and cultural prominence, the academic study of arts festivals has long been neglected. The burgeoning festivals industry is, however, firmly embedded in both the arts funding and weekly calendar of European cities, and there is no doubt that festivals are fast becoming a defining feature of urban life in the twenty-first century. An assessment of their nature and impact is more pressing than ever before.

The contributors to this volume explore the modern urban festival and the difference it makes to the experience and management of diversity in the city. Their research reveals an unsettling coupling of the celebration of local diversity with institutional amnesia, in which the memory of a festival hardly ever outlasts its funding. This book documents a key phenomenon of our time, the supplanting of community-based remembering with the repetitive structures of events whose historic and interpretative depth is lost amid a spiraling velocity of 'festivalization'.

Hardback, ISBN 978-1-9077740-1-0, £60.00 (GBP), $95.00 (USD)

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Anthropology Matters Vol. 5

Mutuality and Empathy

Self and Other in the Ethnographic Encounter

Edited by Anne Sigfrid Grønseth and Dona Lee Davis

Focusing on issues of empathy and mutuality, and self and other, as experienced in the everyday challenges of doing participant-observation fieldwork, this volume makes a significant contribution to rethinking the experiential and conceptual construction of the field. The contributors adopt a critical and self reflexive approach that goes beyond issues of voice and representation raised by early postmodern anthropology, to grapple with issues concerning the nature of knowledge transmission that lie at the very heart of the ethnographic effort. They explore how multiple modes of attending, awareness and sense making can shape the ethnographic process. Of note are those unanticipated, less palpable forms of communication that are peripheral to or transcend more formalized and structured research methods and agendas. Among these are empathy, intuition, somatic modes of attention and/or embodied knowledge and identification, as well as, shared sensory experiences and aesthetics. By the elaboration of such concepts the volume as a whole offers a substantial elaboration of a phenomenological approach.

Hardback, ISBN 978-0-9556400-5-6, £55.00 (GBP), $85.00 (USD)

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Anthropology Matters Vol. 4

Sin, Sex and Stigma

A Pacific Response to HIV and AIDS

Lawrence James Hammar

What happens to national HIV programmes when Science and Religion collide and when both ignore the setting of most infections: in or on the way to marriage?

HIV and AIDS are serious social and public-health problems in Papua New Guinea. After long delays, community-, business- and faith-based organizations have launched an impressive multi-sectoral response. But health-service systems are overwhelmed by the need for HIV antibody testing and counselling, and for treatment with antiretrovirals. Foreign notions of epidemiology, such as 'sex worker', 'risk group' and 'rural/urban', have gained traction despite massive empirical evidence as to their inapplicability. Each of these has fuelled, rather than confronted, the gendered contradictions of marriage and sexuality in Papua New Guinea. Quantitative approaches have fetishized numbers at the expense of enabling changes in social-structure.

Part One of Sin, Sex and Stigma draws upon ethnography, public discourse and archival data to critique public-health policy and epidemiological modelling. Christian-inflected sex-negativity and anti-condom rhetoric are shown to have stymied prevention initiatives. Part Two enlists experts in antiretroviral therapy, sex work activism and ethnography in dialogues focused on strengthening the national response to HIV and AIDS.

A 'hot glow of anger' compelled Lawrence Hammar to write this fiery account of the many factors preventing successful HIV and AIDS interventions in Papua New Guinea. Drawing on his extensive research experience on sexuality and sex work, on cultural and Christian ideologies, and on outrageous stories of denial, abuse, and stigma, Hammar paints a rich and devastating portrait of the history of AIDS in PNG. Read it and weep. Lawrence Hammar is an inspiring reminder for AIDS scholars and activists everywhere of the differences committed social scientists can make to the way things are done.

Leslie Butt, Dept. of Pacific and Asian Studies, University of Victoria

A bold, accessible, and rousingly angry book. Hammar's examination of the problematic reliance on conventional epidemiological categories - such as high risk groups - is powerful, as is his analysis of the ways in which questionable HIV prevalence and behavioral data become privileged over thorough ethnographic research. Hammar's investigation of gendered violence, sexual networking, and the dissemination of condom misinformation is unflinching.

Holly Wardlow, University of Toronto

Hardback, ISBN 978-0-9556400-4-9, £70.00 (GBP), $110.00 (USD)

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Jonathan Benthall is co-author of The Charitable Crescent: Politics of Aid in the Muslim World, and was formerly Director of the Royal Anthropological Institute and Editor of Anthropology Today.

Paperback, ISBN 978-0-9556400-7-0, £25.00 (GBP), $35.00 (USD)

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Anthropology Matters Vol. 3

The Potters and Pottery of Miravet

Production, Marketing and Consumption of Pottery in Catalonia

Rob van Veggel

This rich account of potters in a southern Catalan village traces the history of pottery production and marketing and the responses of the potters to changing contexts of consumption. By juxtaposing the local, micro-history of a small group of producers (numbering no more than fifty people) with that of Spain’s changing economic and social climate, the author presents a local perspective of producers as affected by and acting upon global developments, ultimately localizing the European transition to one single integrated market economy.

Maintaining a dual focus on subject and object, and thereby combining social and material history, this book demonstrates how physical transformations in the pottery resulted from and affected its role in the social relations people formed as they produced, marketed and consumed it.

The Four Seasons of the U'wa

A Chibcha Ritual Ecology in the Columbian Andes

Ann Osborn

A beleaguered indigenous population came to the attention of the world in 1997 by threatening mass suicide in a last-ditch attempt to protect their ancestral lands (overlying possible oil deposits) from invasion by outsiders.

The U’wa (formerly known as the Tunebo) – a Chibchan-speaking group living on the eastern slopes of the Andes in NE Colombia – are documented in Ann Osborn’s pioneering study, here published in English for the first time. She introduces us to the U’wa on their own terms, enabling us to understand them from their own perspective, to place them squarely within the unique ecological setting that is a fundamental part of their being and to appreciate what might motivate them to contemplate such drastic action in the face of an external threat.

The life-sustaining annual round of ceremonies described here were undertaken not only for themselves but also on behalf of outsiders: ‘If we did not chant, the world would wear out … it would come down … we chant for the Whites as well, so that they can continue living in their world…’.

The contrast between this philosophy and that of our oil-hungry world provides timely cause for reflection.

Introduction by Stephen Hugh-Jones, emeritus Professor of Anthropology, University of Cambridge.

Body Arts and Modernity

Edited by Elizabeth Ewart and Michael O'Hanlon

What happens to body arts when these aesthetic practices assume fresh significance in the context of modernity?

In many parts of the indigenous world, the realm of body arts has become an arena for innovation, debate, revival and repression under the conditions of modernity. Among some groups, formerly suppressed ‘traditions’ of body arts have recently been revived. Elsewhere, body arts have been the means for creating or renovating identities in response to a developing international tourist market and in the light of novel technologies of representation, such as photography and film.

The contributions to this volume draw together ideas emerging from the anthropology of the body, the western interest in body ornamentation of the ‘Other’, and the recent revival of specific body arts such as tattooing and piercing.

Drawing on ethnographic case studies from Amazonia, Indonesia, Africa, Melanesia and Polynesia, this volume shows how bodily presentation plays a fundamental role in  contemporary identity politics in tension with encompassing national and global stereotypes, which may in turn both constrain and empower local traditions.

Anthropology Matters Vol. 1

Of Alien Kings and Perpetual Kin

Contradiction and Ambiguity in Ruwund (Lunda) Symbolic Thought

Manuela Palmeirim

Of Alien Kings and Perpetual Kin presents a detailed understanding and analysis of the ideology of kingship among the Aruwund (Lunda) of southern Democratic Republic of the Congo. In doing so the text is drawn into addressing a range of important regional themes: the debate on the concept of the 'culture hero' in central African traditions of state formation; the system of 'perpetual kinship'; issues of hierarchy; and the symbolic use of space in royal ritual. All these lead to an analysis that stresses the fluidity and ambiguity of symbolic thought. In this, this innovative work questions the heuristic and theoretical validity of the concept of 'opposition' as used in theoretical models applied to the study of symbolism in which terms are self-contained and mutually exclusive.

'a major ethnographic contribution ... Palmeirim is remarkably successful in her ambition to present the Ruwund epic as a story of exceptional complexity'

Johan Pottier (School of Oriental and African Studies), Journal of the Royal Anthropological Institute (N.S.) 14

CONTENTS
Prologue; Introduction; Chapter 1 - Negotiating the myth: the origin of kingship I; Chapter 2 - Rethinking culture heroes: the origin of kingship II; Chapter 3 - Metaphors of kinship: claiming perpetual ties among Ruwund aristocracy; Chapter 4 - Where distinctions remain unspoken: an essay on hierarchy; Chapter 5 - On courts, space and metaphors: the symbolic use of space; Epilogue - Of alien kings and angry chiefs; Appendix - The making of a king: a description of the royal installation ritual; Glossary; References.

Manuela Palmeirim is a Professor of Anthropology at the Institute of Social Sciences of the University of Minho, Portugal.

Hardback, ISBN 0-9545572-7-1, £55.00 (GBP), $80.00 (USD)

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Anthropology Matters Vol. 2

Living with Things

Ridding, Accommodation, Dwelling

Nicky Gregson

Living with Things provides an account of consumption in terms of its centrality to our dwelling practices. Its focus is on the home, particularly on the movement of people and things within and through it in everyday habitation.

Here dwelling is seen as an activity, as doing things with and to the things to hand around us. Being ‘at home’ is achieved through living amongst things, as well as amongst people and other non-human presences, such as pets and gardens. Being at home is achieved through what we do with objects, the things that are acquired and stored, that linger around in our homes, sometimes for decades, and which we may eventually get rid of. These ordinary things make dwelling structures accommodating accommodations; they make them homes.

Based primarily on a former coal-mining village in North-east England, this book explores practices of inhabitation, from moving in or being modernised, to the daily accommodation of sleep and children. It provides a demonstration of what happens to consumption research when it ‘comes home’ and is positioned not in sites of exchange but within the home and in households.

CONTENTS
Chapter 1 - From researching ridding to living with things; Chapter 2 - Moving in; Chapter 3 - Being modernised; Chapter 4 - Accommodating sleep; Chapter 5 - Collections, clothing and toys: the accommodations of everyday life; Chapter 6 - Accommodating appliances; Chapter 7 - Accommodating nature; Chapter 8 - Ridding, accommodation and dwelling; Appendix; Bibliography; Index.

Nicky Gregson is Professor of Human Geography at the University of Sheffield and the lead author of Servicing the Middle Classes; Second-hand Cultures.

Paperback, ISBN 978-1907774-07-2, £25.00 (GBP), $35.00 (USD)

Hardback, ISBN 0-9545572-8-X, £45.00 (GBP), $80.00 (USD)

Mining and Indigenous Lifeworlds in Australia and Papua New Guinea

Rationales of Ownership

Transactions and Claims to Ownership in Contemporary Papua New Guinea

Edited by Lawrence Kalinoe and James Leach

What constitutes a resource, and how do people make claims on them? In the context of a burgeoning discourse of property, these are vital questions. Rationales of Ownership offers conceptual clarification in the context of material, intellectual and cultural resources in Papua New Guinea. The volume is a result of a major research project headed by Marilyn Strathern and Eric Hirsch, and brings together contributions from social anthropology and law. The approaches demonstrated, and conclusions reached, build upon recent understandings developed within Melanesian anthropology, but have far wider significance. The first publication sold out in Papua New Guinea due to the relevance of its approach and contents to lawyers and policy makers in that country. It is here made available to a wider readership, particularly those teaching courses on resource development, cultural and intellectual property, contemporary Pacific societies, environmental degradation, and property itself.

'. . .a unique contribution to the discipline's voice in contemporary global debates. . .this volume represents the best of the comparative, ethnographic tradition providing critical insight into difference and similarity on issues that entangle us all in various degrees of responsibility and care. It will be read by anthropologists, policy makers and all academic and non-academic students of what has come to be seen as the test area of the survival of cultural difference.'

Marta Rohatynskyj (University of Guelph)

CONTENTS
Preface, James Leach; 1. Introduction: Rationales of Ownership, Marilyn Strathern; 2. Mining Boundaries and Local Land Narratives (tidibe) in the Udabe Valley, Central Province, Eric Hirsch; 3. Disputing Damage Versus Disputing Ownership in Suau, Melissa Demian; 4. Land, Trees and History: Disputes Involving Boundaries and Identities in the Context of Development, James Leach; 5. The Bases of Ownership Claims Over Natural Resources by Indigenous Peoples in Papua New Guinea, Lawrence Kalinoe; 6. Keeping the Network in View: Compensation Claims, Property and Social Relations in Melanesia, Stuart Kirsch; 7. Combining Rationales from Bolivip: The Person and Property Rights Legislation in Papua New Guinea, Tony Crook; 8. Global and Local Contexts, Marilyn Strathern.

Click here to sample prelims or endmatter, or to purchase chapters as pdfs.

Lawrence Kalinoe is Professor and Executive Dean in the School of Law, University of Papua New Guinea.

James Leach is Research Fellow, King's College and Associate Lecturer, Department of Social Anthropology, University of Cambridge.

Hardback, ISBN 0-9545572-0-4, £39.99 (GBP), $70.00 (USD)

Paperback, ISBN 0-9545572-1-2, £20.00 (GBP), $30.00 (USD)

Please click here to order book.